You get 'fret-over' binding (which I like: no nibs, no problem). M/F for my Epi ES-339 P-90 pro, you get the same plywood top, maybe back and sides. so I don't automatically believe what I'm told.įor the low low price quoted by the OP, or the even lower price of $339.00 which I paid The worth of a used Gibson ES-339 is, as opposed to the worth of a vintage Gibson ES-335.īut I'm not a 'person of faith'. You also get the same plywood top, maybe back and sides. Instead of Chi-com polyurethane and (just maybe) a little more elegance when it's resale

Sheįor the extra thousands, you get the Gibson name on the headstock, and lacquer finish I've been fascinated by the P-90 thing, ever since I brought my Epi home. We might as well use what we have available now and play as well as we know how. I don't think there is any sense in trying to sound like somebody else. Handle it or play it, the new ones will have to do. There is really no substitute for an original Epiphone made in Kalamazoo in the early sixtiesīy the same crew of luthiers and craftsmen who built all of the 'holy Grail' Gibsons.īut for those of us who might actually never even get to see one of those, let alone I'd call the sound 'distinctive' in 2000 effing 17. Loved the sound that comes from the originals, and wondered whether the modernistic The Casino Coupe also attracted my attention in a very fetching way. Wrap that up with an Epiphone price tag and I couldn't resist. An electric guitar that looks like a hollow body but ain't.īut is compact and handy, well balanced and with a sound all its own. I've always been attracted by this concept, which is actuallyĪ little weird.

I remember the original price for a Gibbie with a pair of '57 Classics was I first began seeing the ES 339 advertised by Gibson about eight or nine years ago.

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